past

thumbnail thumbnail thumbnail thumbnail thumbnail thumbnail thumbnail thumbnail thumbnail thumbnail
cover-01-9be019176f8415e8f4423f6323eea3e2 cover-02-dd7da4818b59e7b87bd588313b1d9530 cover-03-e2e2bb583222dc2f451510d68752bc1d cover-04-4f18788d4bbda3ad05ed007a2a73cb2c cover-05-f5367f79e18aa3a91d03df6739340d06 cover-06-7e6aa582c5e6e9b65c3ed47052f0b132 cover-07-371a25eda0809687e54d4fb733b77d96 cover-08-6ca34d0e314df48e2536850a24127075 cover-09-c6be5f4f3190308df0197ef9231889f8 cover-10-f494375cd4540a62b833e21e15195d59

Inbetween Baselitz-McCarthy

The George Economou Collection Space

21 JUN. —
5 OCT. 2015

Greece
Press Release
EN GR

In the words of co-curator Carla Schulz-Hoffmann, “Inbetween brings together two exceptional artists in an exciting dialog with one another, two artists who could hardly be any more different. By focusing on the juxtaposition of several exemplary works in the exhibition, surprising parallels reveal themselves, not in terms of their artistic approach, but in how they work with similar issues. Both artists, the German Georg Baselitz and the American Paul McCarthy, react consciously and aggressively to their respective biographic, historical, and cultural surroundings, drawing from them the key coordinates for their artistic work. Their work revolves around themes such as identity, their location in the artistic and general social context, and basic existential questions. For both, the rejection of all constraints, such as fixed norms of the “zeitgeist” or one-sided artistic dogmas. Whereas Baselitz, however, unrelentingly processes the traumas of his specific history, McCarthy reacts with biting satirical exaggeration. Both create new forms of artistic expression beyond narrow, distorting limits: Baselitz by drawing on the medium of painting itself, McCarthy by drawing on the link between traditional and innovative, transdisciplinary artistic techniques, such as video or performance.”
– Carla Schulz-Hoffmann, 2015